No Man’s Folk


No Man’s Folk is sobriety-based music for awakening peoples in awakening  places. It unites what we call ‘traditional’ folk music with traditional, in the sense of Indigenous, folk music in a No Man’s Land of shared desire for a global climate change. No Man’s Folk sings of peace, clearmindedness and human flourishing on Earth and in a participatory ensouled cosmos.

— F. Christopher Reynolds



No Man’s Folk is done mostly in homes, yet also travels where people come together for a better future. You need a space for about 30 people. It can happen with a group of 6. The persons who come are encouraged most to come because they love music and love to sing.

At the center of the space is a sacred drum or harmonium and a guitar. There are 4 chairs around the center with other instruments here and there. The way No Man’s Folk looks is a room, a drum or harmonim, a guitar, four chairs and other instruments here and there.

Everyone sits around the musical center. We begin with gratitude and a short ritual where we invite you to feel and let go of grief, fear, desire, anger, pain, insanity, despair, restlessness, shame, guilt, suicidal tendencies. The songs will be originals in both traditional folk styles as well as Indigenous style, the folk songs will be Indigenous and traditional. There is a rhythm between the center and the 
gathering. We will sing 4 songs and then songs/prayers/stories are invited from those gathered.

No Man’s music, therefore, invites a new understanding of American folk music that opens room for the ongoing original folk music — the songs and traditions of Indigenous resistance the world over that for 500 years now have endured and sustained culture and soul.

It calls for a de-colonized method of song-writing. Re-indigenized song-writing is an inherently sacred activity linked to revelatory experiences in dreaming, ritual, creativity in relationship with a sacred Earth, Ancestors. It is care for the soul of a people and the life-giving relationship with all ecosystems.

To invite, contact:, Christopher Reynolds